The Navona Records 2CD set of Freund’s piano per­for­mance of Bach’s Well-Tempered Clavier, Book 1 with a sup­ple­men­tal DVD of his “Com­po­si­tion Lessons with JS Bach” was released in April. More infor­ma­tion here.

Just up:

Video of  SeeNo­HearNoS­pea­kNo for viola, bass, per­cus­sion (pots&pans) and three dancers is now up on YouTube. Liz Shea’s chore­og­ra­phy is fab­u­lous, and the musi­cians and dancers are brilliant!

The pre­miere record­ings (with scrolling score video) of Don Freund’s lat­est two piano pre­ludes is now on YouTube: Pre­lude 2010 (scrolling score video) / Pre­lude 2011 (scrolling score video)

New: Record­ings from the extra­or­di­nary per­for­mance put together by the Jacobs School Organ Depart­ment on IU’s new Fisk organ. 14 mem­bers of the depart­ment, includ­ing stu­dents, fac­ulty mem­bers Colin Andrews, Bruce Neswick, Janette Fishell and Mar­i­lyn Keiser, and fac­ulty trum­pet vir­tu­oso John Rom­mel, con­tributed per­for­mances of Don Freund’s Con­cert Organ Mass Ordi­nary Pieces (sam­ple scores), and Breeze­Works (score) for Organ and Trumpet.

New Web­site cre­ated by Mar­garet Dolin­sky  with sup­ple­men­tal views of dig­i­tal art and video cre­ated for the immer­sive the­atre pro­duc­tion of Don Freund’s PASSION with Tropes.

Pre­miere: Don Freund’s Seven Vio­lin Duets (pdfs) (sep­a­rate tracks)

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was pre­miered by the IU Vio­lin Vir­tu­osi at North­west­ern Uni­ver­sity on 5/5/12 and  in IU’s Auer Hall 5/12/12.

Com­ing soon: More Record­ings and video from IU CONCERT 3/30/12:
The March 30th Don Fre­und Fac­ulty Com­po­si­tion Recital in IU’s Auer Hall show­cased a full evening of Don’s works, includ­ing: SeeNo­HearNoS­pea­kNo, Day­dream in A-flat (pre­miere of recorder ver­sion), Piano Pre­lude 2011 (brit­tlesweet)(scrolling score video), Piano Pre­lude 2010 (chop­ping blocks)(scrolling score video)  (both pre­mieres), and Life of the Party: Con­certo for Bas­soon and 16 Friends, with the IU Fac­ulty Cham­ber Orches­tra, fea­tur­ing Kath­leen McLean on bassoon.

Fall 2011 News

Louder than Words — ‘Post-Haste Reed Duo’ (Sean Fre­den­burg, alto saxophone, Javier Rodriguez, bassoon) recitals at Val­dosta State Uni­ver­sity (9/14), Florida State Uni­ver­sity (9/16), Louisiana State Uni­ver­sity (9/19), and McNeese State Uni­ver­sity (9/21).

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,

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Word on the Street was per­formed by the IU Jacobs School of Music Uni­ver­sity Orches­tra 10/26 with Ekhart Wycik con­duct­ing, IU Musi­cal Arts Center

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Score

Piano Pre­ludes ’90, ’91 on the Dec. 16 Wash­ing­ton Square Con­tem­po­rary Music Soci­ety con­cert at the TENRI CULTURAL INSTITUTE OF NEW YORK 43A WEST 13TH STREET, NYC.  Steven Beck, piano  Piano Pre­lude ’90 — About-Score, Audio  Piano Pre­lude ’91 — About-Score, Audio

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New Record­ings

PASSION with Tropes 2011 (Audio with scrolling text video)

From IU Fac­ulty Com­po­si­tion Recital, Feb­ru­ary 4

Autumn­songs – Piano Trio No. 2 (Brian Allen, vio­lin; Young Hoon Koh, cello; Mar­garet Chun, piano–Young Artists from the IU JSoM Pre-College Pro­gram)   [1] Fall from Grace

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, Score    [2]Turning Colors/Harvest Hymn/Harvest Dance

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Score

Spur of the Moment (Kathryn Lukas, flute; Don Fre­und, piano)

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Score

Songs With­out Words (Atar Arad, viola; Don Fre­und, piano)[1] Muse: Arioso for Bethany

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Score [2] Morn­ing Sun­song from Sun­scapes

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Score [3] Come, Gen­tle Night from Romeo and Juliet

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Score

Piano Pre­lude ’08 (Eve­lyne Bran­cart, piano)Audio, Score, score-scrolling video

Ornery Pre­lude (Kathryn Lukas, flute; Thomas Walsh, tenor sax­o­phone; John Rom­mel, trum­pet; Trent Lock­hart, bass trombone;Brenda Bren­ner, vio­lin; War­ren Hagerty, cello; Kevin Bobo, per­cus­sion)

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Score

From Rose Woll­man DM viola recital:

SeeNo­HearNo Spea­kNo (for dance) Rose Woll­man, viola (SeeNo);Brian McNulty, pots&pans (HearNo); Dorian Jack­man, bass (Spea­kNo)

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Score

A new record­ing of Fast Music (Paul Christo­pher, cello) score-scrolling video

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Spring-Summer 2011 News

Two major music the­atre pro­duc­tions were the high­lights of the Spring of 2011: A pow­er­ful tour­ing pro­duc­tion of Romeo and Juliet: A Shake­spear­ian Music Drama (Watch), and the extra­or­di­nary immer­sive the­atre inter­dis­ci­pli­nary pro­duc­tion of the 2011 recon­struc­tion of PASSION with Tropes (more info, record­ing).

In March, Don was the fea­tured com­poser at North­ern Ken­tucky University’s New Now Norse Fes­ti­val, coor­di­nated by Eric Knecht­ges. The guest ensem­ble Conun­drum per­formed part of Back­yard Songs. Other works per­formed were Jug Blues & Fat Pickin’, Arioso und Splat, and 2 chorales from PASSION with Tropes, and the fes­ti­val ended with the tour­ing pro­duc­tion pre­sen­ta­tion of Romeo and Juliet.

In Jan­u­ary mem­bers of the San Fran­cisco Sym­phony per­formed Freund’s Rough and Tum­ble at a con­cert pre­sented by Com­posers, Inc. Ear­lier that month, sax­o­phon­ist Allen Rippe pre­sented Episode for alto sax­o­phone and Casio MT-70. 11 pianists from the stu­dio of IU fac­ulty Jean-Louis Hague­naur per­formed 11 of Freund’s Piano Pre­ludes on a recital in March. Three of these pre­ludes were orches­trated on a joint com­mis­sion from the Musi­cal Arts Youth Orches­tra and the Ger­man­town Sym­phony orches­tra, who cel­e­brated their 35th anniver­sary in March with a reprise per­for­mance of Pre­ludes for Orchestra.

In April, USC New Music Ensem­ble con­ducted by Don­ald Crock­ett per­formed Test of Time, and three dancers and three instru­men­tal­ists pre­miered SeeNo­HearNoS­pea­kNo on Rose Wollman’s IU DM viola recital.

Things turned inter­na­tional in May: Ensem­ble Zel­lig gave the Euro­pean pre­miere of their com­mis­sioned work Crunch Time at “The 104,” Radio France, Paris, and in June the fiery Mex­ico City women’s a cap­pella sex­tet Tuum­ben Paax per­formed their ver­sion of Freund’s O For­tuna dur­ing the Foros de Musica Nueva Fes­ti­val. Closer to home, Bloomington’s Voces Novae per­formed Grow­ing Orbits at the “Stone Age Institute.”

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PASSION with Tropes

In the spring of 2010, Fre­und was awarded a $50,000 Indi­ana Uni­ver­sity “New Fron­tiers” grant for “A Trans-disciplinary con­cep­tu­al­iza­tion of Don Freund’s PASSION with Tropes.” Work­ing with a team of artists from IU’s Depart­ments of The­atre and Dig­i­tal Arts assem­bled by con­duc­tor Car­men Tellez, Don has been recon­struct­ing the score to pre­pare a 80-minute immer­sive the­atre pro­duc­tion that will be pre­sented in IU Ruth N. Halls The­atre May 20th and 21st, 2011.

To expe­ri­ence the effec­tive­ness of this reduced scor­ing, IU’s Con­tem­po­rary Vocal Ensem­ble and New Music Ensem­ble pre­sented a 30-minute Con­cert Extract from PASSION with Tropes directed by Maes­tra Tellez on the Novem­ber 4th IU NME Concert.

Don also received two com­mis­sions to write trios in 2010, both of which were pre­miered in Octo­ber. Autumn­songs for piano trio, com­mis­sioned by the Indi­ana Music Teachers/Music Teach­ers National Asso­ci­a­tion, was pre­miered by an amaz­ing trio from IU’s Pre-College Music Pro­gram at the IMTA con­ven­tions. Crunch Time for bass clar­inet, cello and piano was com­mis­sioned by the Ensem­ble Zel­lig, with the sup­port of the French Amer­i­can Fund for Con­tem­po­rary Music, and was pre­miered at the begin­ning of the group’s tour of the US at Brown Uni­ver­sity, fol­lowed by per­for­mances at IU and UC Berkeley.

Fre­und was guest com­poser at James Madi­son University’s Con­tem­po­rary Music Fes­ti­val. JMU’s Wind Sym­phony gave a defin­i­tive per­for­mance of Jug Blues & Fat Pickin’, thanks to the metic­u­lous and sym­pa­thetic prepa­ra­tion by the group’s con­duc­tor Stephen Bol­stad. The same can be said for the Madi­son Singers per­for­mances of Lauda Anima Mea and God’s Grandeur, bril­liantly con­ducted by Patrick Walders. Jason Haney and Paulo Stein­berg made a tour de force out of the piano duo Pre­lude, Chorale and a few other things, and Haney con­ducted  a ready-for-CD per­for­mance of Soft Cells with a 15-piece ensem­ble of the school’s fac­ulty and top grad stu­dents. Fre­und added his own solo per­for­mance of three of his piano pre­ludes to this sub­stan­tial fes­ti­val, which was kicked off by Alarm Will Sound’s pre­sen­ta­tion of their “1969” col­lage concert.

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Bach WTC1 “A Composer’s Approach” Recorded – YouTube Videos

Don fin­ished his record­ing and audio edit­ing of his dis­tinc­tive “composer’s approach” to the 24 Pre­ludes and Fugues of Bach’s Well-Tempered Clavier Book, and intends to pro­duce and dis­trib­ute the 2-CD set. He has been edit­ing the videos of his lec­ture series “Com­po­si­tion Lessons with J.S. Bach.” Lec­tures for 10 of the Pre­ludes and Fugues along with color-coded scores and com­plete per­for­mances are now on YouTube. Check out an in-depth inter­view with jour­nal­ist George Walker.

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“Spec­trum of 5ths” at Fresno State

Freund’s way of look­ing at pitches on the “Spec­trum of 5ths” (explained mid­way through the Bach C major Pre­lude YouTube lec­ture) became the focal point of Prof. Ben­jamin Boone’s grad­u­ate the­ory sem­i­nar in Fall 2010 at Cal State Fresno.  Fre­und com­bined Skype classes with an inten­sive on-campus work­shop to assist the class in their analy­ses of music from chant to Machaut to Bar­tok to Bea­t­les  using the “Spec­trum of 5ths” as their point of depar­ture. The class is cre­at­ing a web­site to demon­strate the use­ful­ness of this approach.

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Vio­las and Saxophones

Nokathula Ngwenyama pre­sented Freund’s Three Bagatelles for Viola and Piano at the 38th Inter­na­tional Viola Con­gress in June (

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) and the Nor­Cal Viola Soci­ety pre­sented Fan­fare for Vio­las, per­formed by 16 vio­lin­ists assem­bled by Ethan Fil­ner for Vio­la­Ma­nia! in August (

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).

Freund’s long-time sax­o­phone muse, Allen Rippe just revis­ited Episode for Alto Sax­o­phone and Casio MT-70 for the 34th Inter­na­tional Sax­o­phone Sym­po­sium in Jan­u­ary 2011. In Rippe’s per­for­mance an iPod emu­lated the Casio; Thomas Walsh and Fre­und had per­formed the piece in 2010 using the orig­i­nal 1980’s instruments (

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)

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